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Interpreting “Resistance” in the Playroom: Why Regulation Is Often the Intervention

consultation treatment Mar 25, 2026

In the playroom, there are moments when a child gets labeled as “resistant.”

They shut down.
They change the subject.
They refuse an activity.
They get irritable.
They push back right when things start getting close to something important.

And it can feel confusing.

But with children who have experienced complex trauma, what we call resistance is often not defiance, manipulation, or unwillingness to engage.

It’s communication. 

More specifically, it’s communication about safety, pace, and what their system can actually handle in that moment.

And if we misread it, we don’t just miss the moment—we risk pushing past the very limits the child is trying to show us.

 

When a Child Gets Close… and Then Pulls Back

There’s a moment that happens often in play therapy.

A child gives you a small opening into something hard. Maybe they say something indirectly. Maybe it shows up in play. Maybe they hint at something painful.

And it’s tempting to follow it. To ask more. To go deeper.

But that small opening doesn’t always mean they’re ready for the whole conversation.

Sometimes it just means they were able to get that close.

And that may have taken everything they had.

So when they pull back—shift the play, get irritated, shut down—that’s not necessarily resistance.

That’s often their nervous system saying,
“This is enough for now.”

 

What If It’s Not Behavioral… But Biological?

When we think about resistance through a behavior lens, the child can start to look oppositional.

But if we shift the lens, something else comes into focus.

Many children with complex trauma don’t yet have consistent access to:

  • regulation
  • language
  • internal safety
  • relational trust

So what looks like avoidance might be overload.

What looks like noncompliance might be protection.

And this is where a really important shift happens:

Regulation isn’t something that happens before the “real work.”
Regulation is the work.

 

The Brain Has an Order—And We Can’t Skip It

From a neurodevelopmental perspective, the brain develops from the bottom up:

  • survival first
  • then emotion
  • then reasoning 

So when a child is dysregulated, they’re not in a place where they can reflect, explain, or process in the way therapy often expects.

That’s not resistance.

That’s neurobiology.

 Which is why the sequence matters:

Regulate → Relate → Reason

If we try to go straight to insight, we’re often asking for something the system simply can’t access yet.

 

The Playroom Is Full of Clues

Children tell us what’s too much long before they can say it out loud.

They turn away.
They switch activities.
They get silly.
They get annoyed.
They reach for something else in the room.

It’s easy to dismiss those as distractions.

But often, they’re not.

They’re attempts at regulation. 

When a child moves away from something activating and toward something sensory, repetitive, or familiar, they may not be avoiding the work.

They may be staying within what they can tolerate.

 

In and Out Is Not a Problem

You might notice a child:

  • touches something hard
  • then moves away
  • then comes back later

That back-and-forth can feel like inconsistency.

But it’s often something else.

It’s pendulation—the natural movement between activation and safety. 

And in trauma work, that movement is not a problem to fix.

It’s actually part of how the work happens.

 

This Is Where It Gets Uncomfortable for Us

There’s a moment many therapists have in session where they think:

I don’t know if I’m actually doing anything right now.

The child is tapping.
Or humming.
Or moving.
Or playing in a repetitive way.

There’s no clear insight. No obvious “intervention.”

And it can feel like you’re missing something.

But you’re not.

When a child:

  • taps instead of escalating
  • hums instead of shutting down
  • stays engaged instead of dissociating

They are learning how to regulate.

They are building capacity.

And that is not a side effect of therapy.

That is the therapy. 

 

Sometimes It’s Not the Child Who Needs to Slow Down

This part is harder to sit with.

Because sometimes what we’re calling resistance isn’t just about the child.

It’s about the space between the child’s pace and our own.

We want progress.
We want clarity.
We want to help.

And that can create a quiet urgency:

  • to ask one more question
  • to go a little deeper
  • to move things forward

But if the child pulls back, that tension might not be resistance.

It might be a mismatch.

And noticing that takes a lot of humility.

 

If You Push Too Far, You Haven’t Ruined It

If you realize you moved too quickly, that doesn’t undo the work.

In fact, it can become one of the most important moments.

When you say:

  • “I think I pushed a little too hard.”
  • “That might have been a lot.”
  • “I want to pay better attention to that.”

You’re doing something many of these children haven’t experienced.

You’re repairing.

And that teaches them:

  • their cues matter
  • their limits are real
  • relationships can adjust and recover 

 

Final Thought

Children with complex trauma are not trying to make therapy difficult.

More often, they’re trying to stay safe with the tools they have.

So when we see “resistance,” it can be helpful to pause and ask:

What is this child’s nervous system trying to tell me right now?

Because often, it’s telling us:

  • this is enough
  • this is too much
  • I need distance
  • I need help regulating
  • I’m trying to stay with you, but I can’t do it that way

And when we start listening to it that way, something shifts.

We stop trying to get past resistance.

And we start letting it guide the work.

 

References

Levine, P. A. (2010). In an Unspoken Voice: How the Body Releases Trauma and Restores Goodness. North Atlantic Books.

Perry, B. D., & Dobson, C. L. (2013). The Neurosequential Model of Therapeutics. In J. D. Ford & C. A. Courtois (Eds.), Treating complex traumatic stress disorders in children and adolescents (pp. 249–260). Guilford Press. 

 

 

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